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Woods The Walls and Wells

Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine
Woods The Walls and Wells - Goseong Choi - Phases Magazine

I began this project with the process of doubting sensory experiences, and by examining the confusion in between the borders of the physical space and the psychological realm. I perceived and then questioned both the presence of what was now absent, and the absence of what was once present. During my journeys, I searched for blind spots in consciousness, and from those points I tried to become aware of the substantialization of warp and slip. This examination led me to quite surreal experiences. I was curious about the correlation of the inner-self and the outside world; nature provided visualization to these questions.