![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_01-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_02-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_03-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_06-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_08-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_010-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_011-527x790.jpg)
![OWL - Matteo Cremonesi - Phases Magazine](https://www.phasesmag.com/wp-content/uploads/2020/12/OWL_013-527x790.jpg)
In this photographic series, as in many of my projects, the repeated proposal of the subject and the recording of its minute variations become a way of indicating a particular relationship with the time of experience and things, a postural condition of looking that sees time itself become an aesthetic index.
All images ©Matteo Cremonesi